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Writing 

2021:
⦾ Art, handicrafts and ideology, contribution to A Simple Basic Life Technique publication initiated by Raúl Silva, Marika Vandekraats and Mia van den Bos, Pamplona.
2020:
⦾ Care, We owe eachother everything: Appendix of C-words for the Commons, CASCO Art Institute, Utrecht.
⦾ Should artists unionise? Issue 23: GOVERNANCE, Fine Print Journal, Adelaide.  
2017: 
⦾ Push & Pull, catalogue essay for Arlon Hall, Barossa Regional Gallery, Tanunda.
⦾ Optimal Prime Time, curatorial essay, Sister gallery & project space, Adelaide.
2016: 
⦾ Critical Coding as Resistance in the Digital Knowledge Economy, Honours exegesis, University of South Australia.
⦾ Objectifying the Social: The Relational Aesthetics of Leisure, Issue 4: PROCESS, Fine Print Journal, Adelaide.
 
Reviews and Press 
 
2019:
⦾  Past practices future challenges: Exhibition-making in South Australia, Alexandra Nitschke, Fine Print Journal, Adelaide.
2017:
⦾  Cast No Shadow review by Stephanie Daughty, FELTspace Writers Program, Adelaide.
⦾  Article about the opening of Sister Gallery, Broadsheet, Adelaide.
⦾  Interview with Mia van den Bos about Sister Gallery, Fine Print Journal, Adelaide.
2016: 
⦾  Alterior Motive- Mia van den Bos & Ashleigh D’Antonio, Fine Print Journal, Adelaide. 
⦾  Flash, Plush and Pulse: a review of ‘alterior motive’, Collage Adelaide, Adelaide. 
⦾  Alterior Motive listed as a key exhibition to see in Adelaide, National Association of the Visual Arts (NAVA) website.
2015: 
⦾  Artist Profile: Mia Van den Bos, TEO magazine online.