⦾ Art, handicrafts and ideology, contribution to A Simple Basic Life Technique publication initiated by Raúl Silva, Marika Vandekraats and Mia van den Bos, Pamplona.
⦾ The Artist’s Social Union: On politically organising non-productive workers, MA thesis, Dutch Art Institute (DAI), Arnhem.
⦾ Care, We owe eachother everything: Appendix of C-words for the Commons, CASCO Art Institute, Utrecht.
⦾ Should artists unionise? Issue 23: GOVERNANCE, Fine Print Journal, Adelaide.
⦾ Push & Pull, catalogue essay for Arlon Hall, Barossa Regional Gallery, Tanunda.
⦾ Optimal Prime Time, curatorial essay, Sister gallery & project space, Adelaide.
⦾ Critical Coding as Resistance in the Digital Knowledge Economy, Honours exegesis, University of South Australia.
⦾ Objectifying the Social: The Relational Aesthetics of Leisure, Issue 4: PROCESS, Fine Print Journal, Adelaide.
Reviews and Press
⦾ Past practices future challenges: Exhibition-making in South Australia, Alexandra Nitschke, Fine Print Journal, Adelaide.
⦾ Cast No Shadow review by Stephanie Daughty, FELTspace Writers Program, Adelaide.
⦾ Article about the opening of Sister Gallery, Broadsheet, Adelaide.
⦾ Interview with Mia van den Bos about Sister Gallery, Fine Print Journal, Adelaide.
⦾ A review of Optimal Prime Time at Sister Gallery, Verso, Adelaide.
⦾ Alterior Motive- Mia van den Bos & Ashleigh D’Antonio, Fine Print Journal, Adelaide.
⦾ Flash, Plush and Pulse: a review of ‘alterior motive’, Collage Adelaide, Adelaide.
⦾ Alterior Motive listed as a key exhibition to see in Adelaide, National Association of the Visual Arts (NAVA) website.
⦾ Artist Profile: Mia Van den Bos, TEO magazine online.